Petula Clark
By All Music Guide
By All Music Guide
After entertaining British troops alongside fellow child stars Julie Andrews and Anthony Newley, Clark made her film debut with A Medal for the General in 1944. By the dawn of the 1950s she was a superstar throughout the U.K., with a resume of close to two dozen films; 1954s The Little Shoemaker was her first Top 20 single, while 1960s Sailor was her first chart-topper. Still, Clark struggled with her inability to shed her adolescent image. After selling over a million copies of 1961s Romeo, she married and relocated to France, establishing a strong fan base there on the strength of hits including Ya-Ya Twist, Chariot and Monsieur, which spotlighted a new, more sophisticated pop sound anchored by her crystalline vocals.
Riding the wave of the British Invasion, Clark was finally able to penetrate the U.S. market in 1964 with the Grammy-winning Downtown, the first single by a British woman ever to reach number one on the American pop charts. It was also the first in a series of American Top Ten hits (most written and arranged by Tony Hatch) which also included 1965s I Know a Place and 1966s I Couldnt Live Without Your Love and the number one smash My Love. At the same time, she remained a huge star throughout Europe, topping the British charts in 1967 with This Is My Song, taken from the film A Countess From Hong Kong. In addition to hosting her own BBC series, she also starred in the 1968 NBC television special Petula, which triggered controversy when sponsors requested that a segment with guest Harry Belafonte be cut in deference to Southern affiliates; ultimately, the show aired in its intended form.
As the 1960s drew to a close, Clarks commercial stature slipped, although singles like Dont Sleep on the Subway, The Other Mans Grass Is Always Greener and Kiss Me Goodbye still charted on both sides of the Atlantic. In 1968 she revived her film career by starring in Finians Rainbow, followed a year later by Goodbye, Mr. Chips. In later years Clark focused primarily on international touring, headlining the 1981 London revival of Rodgers and Hammersteins The Sound of Music; after starring in the 1990 musical Someone Like You, which she also co-wrote, she made her Broadway debut in Blood Brothers in 1993. Additionally, in 1988, an acid-house remix of Downtown reached the U.K. Top Ten, another honor for the female singer awarded the most gold records in British pop history.
